Showing posts sorted by date for query the knife. Sort by relevance Show all posts
Showing posts sorted by date for query the knife. Sort by relevance Show all posts

Thursday, August 19, 2010

Mercy Street



Is there anything that Karin from Fever Ray and The Knife does that isn't haunting, enrapturing, fascinating, creepy and delicately beautiful all at the same time? The Knife and Fever Ray's songs go beyond music. Her vocals call upon mythical times and other universes of sounds and artistic development. As bands her projects are all at once musical and art performance pieces. With this latest single, a cover of Peter Gabriel's "Mercy Street" she finds new layers of emotional gravity. Head over to NME right now for the exclusive 24 hour ONLY download of Fever Ray covering "Mercy Street." Mute Records will be releasing the track on September 17th within the US and North America for download.

Karin Dreijer Andersson says:

We made it more intense and faster to fit our excentric pecussionists and energetic live musicians. It’s a monotone track but we work with the dynamics trying to make it sparkle. I listened to it a lot when I was around 15, it still moves me. Made me start reading Anne Sexton too.”

Saturday, November 14, 2009

Welcome Yeasayer....we've been waiting


This is my feeble attempt to listen to the new Yeasayer album and describe everything I am hearing, from the first note to the last. From the first track even the most studied of ears to their sound and Chris' voice would not recognize that this is them. It sounds more like a new song by the Swedish brother/sister duo the KNIFE. It is creepy, dynamic, intricate, daunting and dark. As dark as you could get on the deepest of winter nights. The voices singing sound like they are from the netherworld. Calling out to you from beyond the void and just when you think you might be beginning to understand...the song is over.

Track two=Ambling Amp trickles out onto the sound scape skipping and jumping along with all of the energy of that the band has been hiding from us while we have been eagerly awaiting this next album. I first heard this song when I was at the Pitchfork Music Festival. It was mixed into their set and immediately was at home. Traditional Yeasayer elements are bursting forth from every beat of the wooden sticks that you hear laughing at you in the background. Chris' voice sounds much more optimistic and confident than we have ever heard before.

As the third track begins, like I usually feel with all of my favorite bands---i hope this one is longer than the songs that have come before. I instantly recognize that they played this song at the Pfork Festival as well. This time it is not Chris we hear singing, but Anand Wilder ...calling out to us with longing and loss with the lyrics "if my vices are a burden, please don't let me know*...cast me from your home." One of the hidden weapons within this band's bulky arsenal of talent is the interchanging vocals of both Chris and Anand. They harmonize magically into one piercing and delicate voice, individually they are inviting and textured like silvery velvet. Easily said, they are going places.

Much will be said about this next song comparing it to Grizzly Bear and Animal Collective. I am calling it now. I want people to remember that when Panda Bear came out with his album and had bursts and fits of vocal calls, chants, screams and clips, Chris was doing this as well. Because bloggers and music writers love to discuss cause and reaction...there will be comparisons made for sure. This is another reason why we will see Yeasayer become one of the biggest bands in 2010. Right now is just the calm before the storm. Much like Girls from Animal Collective's Merriweather Post Pavilion, this track rises into the sky like a lullaby. Easy on the ears and powerful enough to not slide into the grey zone of being overdone or tacky.

"You're stuck in my mind all the time" Hey-every album needs a ballad, right?

Track five has to be big based on positioning alone...you have hit the half-point on the album---and it is. Jovial from the first beat it is full of rhythms and I am happy to welcome it's sound back into my ears. THIS IS THE SONG. The song that I have been reporting back about for months now. The song that could have busted up and broken down their set. They played it just as it began to completely downpour onto an audience of Chicago music lovers and it could have gone either way...people could have been pissy and run for shelter---or they could have given into joy and danced. This is what happened and it was amazing. It was one of those moments when I completely forget all of the shitty bosses I have had, all of the tears of frustration I have felt at moments over the past years trying to work with what I love and still be successful---for this is quite the feat in the music industry. I LOVE this song and you will too. If you do not instantly feel like getting up and jumping around and singing and spreading your arms to this song then stop---just stop listening, stop reading my blog, any blog for that matter...because you should be jumping around. You 100% absolutely should be.

**"Having time having fun, it's much easier said than it's done. Hoping you could fall, hold me like you used to, control me like you used to. No, you don't me move me anymore. And I am glad that you know, cause I can't have it anymore. I thought you should know, you don't move me anymore. And I am glad that you know. Cause I can't take it anymore."

Building from the momentum collected from track five, track six kicks over like an animated car video with spaceship technology and 70's costumes. That is to say it sounds like a futuristic Daft Punk synth dream fast-forwarded with sounds from the 70s and 80s that we welcome as known knowledge. Chris kind of sounds like Justin Timberlake combined with Alexis Taylor at first. Alright...don't hate...but he kind of does. This is also not a bad thing. When Chris reaches for that vocal point, straining on his lungs' tippie-toes it is a good thing. It lends a whole other sound and element of emotion to the band's already deep and dynamic box of tricks. It is obvious the band had fun listening to Chromeo's signature voice modifier tube (not sure of the technical term), they toss it in here and there and it works well.

The seventh song sounds like Hall & Oats on speed. The harmonies and the backbeat remind of this band...it is completely fun and works well to push the album forward. Whereas it is not a standout track, it is still a good one and is sure to be a crowd mover during their live shows. The lyrics tell about the world being there's...it's just a matter of time. Much like MGMT's famed song Kids foretelling of their fame, this song is just sharing with us what is sure to happen to this Brooklyn ensemble.

Track eight I have to re-play, clocking in at 2:35 it is over before I can even wrap my critical ears around it. I also have to lower the volume on my laptop which has been punishing all of my neighbors to see if this helps me understand it at a different decibel. It is a ghost of a song, swaying in with invisible, prowling moves and cooing layered melodies. It is a good transitional song and very beautiful.

Tracks number nine and ten end the album with a complete bang. Track nine teases and flirts as Chris repeats how much he loves making love with his baby "until the early light." Totally dance-floor worthy and will easily be remixed by hungry dj's who will in turn post their tracks all over Hype Machine. Track number ten...well, i have shared enough. You will just have to wait and hear for yourself ;)

Overall, new Yeasayer= LOVE. 10.0! ***** Two thumbs up...and all that jazz. Cannot wait.

*(or go, not sure...)
**(not sure of exactly lyrics either...)
*Yeasayer video from Blogotheque...my favorite.


*Yeasayer will release this, their sophomore album via Secretly Canadian in 2010
*Yeasayer Facebook
*Yeasayer Twitter

Thursday, September 11, 2008

And that haunted me, all the way home


My love/hate relationship with Kanye West continues. I love his music and what he has accomplished and how outspoken he is...most of the time. I was an unhappy little camper Sunday night when i was watching the VMA's (in between my new love-True Blood and Entourage of course) and saw his live performance of his most recent song, Love Lockdown. I understand that imitation is the most sincerest form of flattery, or so they say-but he completely (or whoever is the brains behind his stage set up) ripped off the Swedish band The Knife. The brother sister duo known for being creepy and cleverly aloof with their live performances graced NYC with their presence during CMJ two years ago at Webster Hall for back to back shows. Decked out in head to toe black spandex and glowing eyes they beat on their drums which lit up with each tap and touch...almost exactly like what Kanye had going on behind him grooving in his tailored grey suit. It is incredibly smart marketing to take these elements of electronic/pop shows and place them behind hip/hop and rap artists since their live shows tend to fall flat. I just was a bit shocked to see the Knife influences...Dear Daft Punk, Kanye has moved on to pillage someone else's art.


I'm not lovin' you, the way I wanted to
What I had to do, had to run from you
I'm in love with you, but the vibe is wrong
And that haunted me, all the way home
So ya never know, never never know
Never know enough, 'til it's over love
'Til we lose control, system overload
Screamin' no no no, no no
I'm not lovin' you, the way I wanted to
See I wanna move, but can't escape from you
So I keep it low, keep a secret code
So everybody else don't have to know

So keep ya love locked down, ya love locked down
You keep ya love locked down, you lose

Kayne West- Love Lockdown.mp3
Kanye West Tags/Daft Punk Tags/The Knife Tags

Friday, September 21, 2007

CMJ is quickly approaching us folks-

On one hand a lot of the shows during CMJ are free- on the other hand you have to have special invites, passwords, and sometimes a little bit of luck to gain passage into some of the best engagements this city has to offer during one of it's most hectic music-loving weeks. PHEEW! i am so excited though. Somehow your body just finds the energy to carry you through that week and when it is over you feel like no show you go to see will ever top what you just experienced. Or at least that was me last year. (The Rapture, The Knife, Girl Talk, Cold War Kids, Elvis Perkins...!!!) One of my favorite experiences was the free in studio sessions that KEXP hosts. Not only do you get to see your favorite DJs up close and personal but the bands were fantastic. (Forward Russia! kicked all kinds of fantastic'ness-Tokyo Police Club-Hot Chip-Rosewood Thieves)...so HURRY AND SIGN UP NOW! Spots are already filling up-Band of Horses for example on Friday is already full. A lot of acts have yet to be announced but that shouldn't stop you, each and every one is sure to be worth it. Plus it is FREE....and KEXP! Bring it CMJ! And in the meantime you can keep yourself pre-occupied with their latest edition of KEXP instudio sessions:

Live at KEXP Studios-Ghostland Observatory-Move With Your Lover.mp3
KEXP Live in Chicago_ Walter Meego.mp3
CMJ Tags

Monday, August 27, 2007

Revenge of the Bookeater's Benefit @ Beacon Theatre


A benefit concert for kids to nuture their imaginations-priceless
For those of you not familiar with the 826NYC, it is a non-profit organization that works with kids to nuture their creative writing skills in a one on one environment. As with any non-profit organization they rely on funding for the continued success of their program and for the second year they organzied a great benefit show at The Beacon in nYc. This years' line-up included A.C Newman, Grizzly Bear, Jim James, Feist, Kevin Drew, & Britt Daniel. Along with the music it was hosted by comedian Demetri Martin and was one great night for a good cause.

Arriving into The Beacon towards the latter end of A.C. Newman's I was only able to catch the last song of his set. Following Newman was one local Brooklyn act Grizzly Bear who are meant to play these big rooms which just fill so nice with their slightly eerie music. Ed Droste and the crew rolled through a couple of songs including 'Knife', 'Marla' as well as Feist joining them for a song which I believe was called 'Cast A Spell'. The band ended their set with just Christopher Bear and Daniel Rossen covering Paul Simon's 'Graceland'.

Jim James
After some great stand-up comedy with Demetri Martin,Jim James of My Morning Jacket came on to deliver the nights highlights. Armed with an acoustic guitar and some weird electronic music device Jim straight up killed it. Opening with a song with the repetitive line "I Feel Wonderful" I could only think of The Talking Heads classic 'The Book I Read' but it was not to be (it was a song I was not familiar with). Jim then went on to play a tremendous version of one of my favorite My Morning Jacekt songs 'Bermuda Highway'. After this Jim brought out some odd electronic music device which he played 'Wonderful Man' and straight up rocked the house. Jim then continued the trend of material from "Z", My Morning Jacket's latest album, and ended the set with 'Gideon' and 'Anytime' which saw Jim back on the electronic beat / keys combo finishing with Jim running from side to side as to figure should he keep going or not...sadly he did not.

Feist and Kevin Drew
It was after this we were treated to some stand up comedy skits followed by videos made by kids at the 826NYC. The video from "Death is Calling" was pretty hilarious. Feist then came out to read a couple of stories by the kids which offered the audience the chance to feel like kids laughing to stories about peanut butter of all things. She then played the piano for a rendition of 'The Water' before Kevin Drew and a member of Broken Social Scene joined in with 'F--ked Up Kid' off of their latest album and sweet version of 'Super Connected'. The show came to an end with Britt Daniel who said the last time he was in the Beacon was in 1999 when he saw Elvis Costello. He mentioned how in front of him there was an extremely liberal family which was all smoking pot together. Britt then went into playing "I Summon You" before inviting a friend to join on keys for "Finer Feelings" off of Spoon's latest album "Ga Ga Ga Ga." The show ended when Britt invited A.C. Newman for a cover which I am just not sure what name was. Overall it was a great way to spend Sunday night and had the crowd enjoying some laughs and tunes all for a cause that helps support creativity in today's youth.
My Morning Jacket-Dancefloors.mp3
Broken Social Scene-Hotel.mp3
Revenge of the Book Eater's Benefit Tags
-Jaime W.

*It should be noted that whoever was the jerk that felt the need to heckel Dimitri Martin you should feel like a grade A jack-ass. I think everyone besided you in The Beacon tonight thought Dimitri pretty much killed it and I for sure was definitely impressed.*

Thursday, August 9, 2007

Do the DAFT PUNK Shuffle....out to Coney Island...


Salut nYc! You READY!
The hours could not fly by fast enough for me today. EEKkss! I was one lucky bird and saw both The Rapture and Daft Punk last Friday in Chicago and watched the masses shimmy to the ground. No literally-just you wait. It was up there with seeing The Knife or Goldfrapp for the first time. They are just pure fun. I cannot wait! In the meantime i am trying to unload the piles of work surrounding my desk and keeping myself in the mood with dancey music. One of my favorites right now are the new M.I.A. track 'Jimmy' off of her upcoming release, Kala. She samples a traditional Indian song which i highly recommend you checking out. Digitalism, Datarock, Matt and Kim, Mylo, Out Hud, and Justice also are good quick fixes. Only 7 and half more hours people! You ready?!

`````SET TIMES````
Doors are at 6:00 PM NOT 7:00 as posted on your tickets and Ticketmaster Reminder emails! MAKE NOTE!
• DAFT PUNK – 9:30 PM
• SEBASTIAN & KAVINSKY – 8:30 PM
• THE RAPTURE – 7:30 PM
• SEBASTIAN & KAVINSKY – 6:30 PM

M.I.A.-Jimmy.mp3
Original Version-Bappi Lahiri, Chorus, Kishore Kumar, Nandu Bhende, Parvati K- Jimmy Jimmy Jimmy Aaja.mp3
Datarock-Fa-Fa-Fa.mp3
Justice-Phantom pt. II.mp3
Justice vs Simian-We Are Your Friends.mp3
Crystal Castles-AirWar (Streetlab vs. Eamon Harkin FUN remix).mp3

Wednesday, July 11, 2007

KEXP contest for New York Morning Faithful and Knife Fans


"Our friends at Mute are very pleased to announce that they will be marking the release of Silent Shout : An Audio, Visual Experience with a special release party at the Scandinavia House on July 17th, in New York City. The first 5 people to send an email to Meagan@mute.com, will win a PAIR of tickets to the special, invite only screening on July 17th. There will be a reception to follow as well!
Silent Shout: An Audio Visual Experience is a 3 disc ( 2-Cd, DVD) set featuring the full re-issued , critically acclaimed album "Silent Shout", along with a previously unreleased LIVE audio album, as well as a DVD of the Andreas Nilsson designed live show and the entire collection of KNIFE videos. Silent Shout: An Audio Visual Experience on July 17th, 2007' Thank you KEXP!
The Knife-Silent Shout.mp3
Now THAT'S HOT